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"This work presents a comprehensive guide to literature-based films. It focuses on recognizing and appreciating the inherent difficulties encountered when basing a film on a literary work, be it a novel, novella, play or short story. A glossary aids in understanding film and literary terms. Photographs and an index are also included"--Provided by publisher.

Bellettrie. --- Film adaptations --- Film adaptations --- Literatur. --- Verfilmingen. --- Verfilmung. --- History and criticism.

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English drama --- Verfilmingen. --- Shakespeare, William, --- Film and video adaptations --- Shakespeare, William, - 1564-1616 - Film and video adaptations --- Shakespeare, William, - 1564-1616

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This book traces the history of film and television adaptations of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Persuasion, and Northanger Abbey. Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.

English fiction --- Film adaptations --- Television adaptations --- Bennet, Elizabeth (Fictitious character) --- Women in motion pictures. --- Love in motion pictures. --- Roman anglais --- Adaptations cinématographiques --- Adaptations télévisées --- Bennet, Elizabeth (Personnage fictif) --- Femmes au cinéma --- Amour au cinéma --- History and criticism. --- History and criticism --- Histoire et critique --- Hitoire et critique --- Austen, Jane, --- Film adaptations. --- Television adaptations. --- England --- Angleterre au cinéma --- In motion pictures. --- Amour au cinéma. --- Angleterre au cinéma. --- Femmes au cinéma. --- Film. --- Motion pictures. --- Romans. --- Verfilmingen. --- Verfilmung. --- Austen, Jane. --- Bennet, Elizabeth, --- Film and video adaptations. --- England. --- Littérature anglaise --- --Adaptation cinématographique --- --English fiction --- Love in motion pictures --- In motion pictures --- Adaptation cinématographique --- English fiction - Television adaptations --- English fiction - Film adaptations --- Film adaptations - History and criticism --- Television adaptations - History and criticism --- Austen, Jane, - 1775-1817 - Film adaptations --- Austen, Jane, - 1775-1817 - Television adaptations --- Austen, Jane, 1775-1817 --- England - In motion pictures --- Austen, Jane, - 1775-1817

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"A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh"-- "Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric"--

Shakespeare, William, --- Histoire et critique --- film --- literatuur --- film en literatuur --- verfilmingen --- filmbewerkingen --- filmadaptaties --- Shakespeare William --- Hamlet --- Olivier Laurence --- Branagh Kenneth --- 791.43 --- 791.41 --- 791.471 OLIVIER --- 791.471 BRANAGH --- Shakespeare, William --- Šekspir, Vil'jam --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Histoire et critique.